Following a successful debut as La Fée in Fiona Shaw’s production of CENDRILLON by Massenet for Glyndebourne on Tour in October 2018, Suzanne will return to Glyndebourne Festival Opera to cover the role March-August 2019.

Suzanne covered the role of La Fée and sang the role of the 1st Spirit in CENDRILLON at Glyndebourne on Tour in Autumn 2018.



In Summer 2018 Suzanne performed as Najade in ARIADNE AUF NAXOS at Longborough Festival Opera.Suzanne-Fischer-Alice-Privett-Flora-McIntosh-LFO-Ariadne-auf-Naxos-2018-cr-Matthew-Williams-Ellis-82

Naiad (Suzanne Fischer), Dryad (Flora McIntosh) and Echo (Alice Privett) are individually characterised in fine voice; their voices blend stunningly when required to do so.
Mel Cooper, Plays to See

Naiad, Dryad and Echo knit during the Prologue. As they spin and wrap the wool in various formations (the movement director is Michael Spenceley) they feel like Norns weaving the rope of destiny, with the cords also helping to delineate their own relationships as they use them to pull each other close. The parts are sung superbly by Suzanne Fischer, Flora McIntosh and Alice Privett.
Sam Smith, MusicOMH

A Rhinemaiden-like trio of Suzanne Fischer, Flora McIntosh and Alice Privett as Ariadne’s team of attendants.
Peter Reed, Classical Source

The supporting singers were first class […] Suzanne Fischer (Naiad), Flora McIntosh (Dryad) and Alice Privett (Echo) were a dream team as Ariadne’s attendants.
Peter Reed, Opera Magazine


New video of Suzanne and Jonathan Ware performing for the esteemed jury and public of Concours International de Montreal May 2018.

On the 1st of September 2017, Suzanne sang the aria of the Queen of the Night with the Iceland Symphony Orchestra at the new Harpa Concert Hall in Rekyavic conducted by Daníel Bjarnason. Watch video here:Screen Shot Queen of the Night

In Autumn/Winter 2017 Suzanne was Soprano I soloist in the Semi-Chorus of Glyndebourne’s touring production of Brett Dean’s new opera, HAMLET.  During this contract she also sang as the soprano soloist for Orff’s CARMINA BURANA at the Usher Hall in Edinburgh for the 150th Anniversary concert of EUMS on the 25th of November.

In October 2017 Suzanne performed scenes as Violetta/LA TRAVIATA and Gilda/RIGOLETTO in concert with the Preußisches Kammerorchester under the baton of James Lowe and  returned to Oxford Lieder Festival in October, singing the soprano solo of Brahms’ ‘EIN DEUTSCHES REQUIEM at SJE’s on the last day of the festival.

On Friday 22nd December 2017 Suzanne sang the soprano arias from Handel’s MESSIAH with the Kammerorchester of the Komische Oper, led by Gabriel Adorjan.


Suzanne and Panaretos Kyriatzidis were delighted to win the Oxford Lieder Young Artists Platform 2016. They gave many recitals 16/17 at venues including The Holywell Music Room in Oxford, St John’s Smith Square, London Song Festival, The University of Edinburgh and Aberystwyth and Boston, Lincolnshire. Their final recital was at the Barber Institute of Fine Arts in Birmingham in May. They were also finalists in the Hugo Wolf International Song Competition.

Suzanne toured the UK singing the role of Lady Sapphir in PATIENCE for English Touring Opera in Feb-June 2017. Tour dates began at the Hackney Empire in London on the 8th and 10th of March and continued throughout the UK until the 3rd of June. ETO 1

Particular mention must go to Suzanne Fischer who played Saphir. Fischer perfectly captures the spirit of Gilbert and Sullivan. Her energy and presence are captivating and she creates a lively depiction of Saphir.
Marina Sparks, The Reviews Hub

Dazu das prächtige Bühnentier Suzanne Fischer (with the splendid stage-animal Suzanne Fischer)
Egbert Tholl, Süddeutsche Zeitung

Suzanne performed the role of Berta in Rossini’s IL BARBIERE DI SIVIGLIA in December 2016 and January at the Cuvielles-Theatre in Munich, directed by Tristan Braun conducted by Nabil Shehata.

Suzanne Fischer als kraftvoll angereicherter Sopran (Suzanne Fischer sings with a powerful and rich soprano)
So bleibt ein intensiv-bunter, amüsanter Abend mit begeisternd guten, jungen Stimmen und echten Sänger-Schauspielern. (A colourful, amusing evening with excitingly good young voices and real singing-actors.)
Adrian Prechtl, Abendzeitung München

Suzanne Fischer erquickt als emanzipierte Haushälterin Berta mit silbrigem Sopran und darf sogar mit zwei Arien punkten. (Suzanne Fischer is refreshing as empowered housekeeper Berta with silvery soprano and is even allowed to score with two arias.)
Gabrielle Luster, Münchener Merkur

Suzanne joined baritone Bo Skhovus and pianist Matti Hirvonen in their evening recital during Oxford Lieder Festival on the 23rd of October with Schumann’s Mignon and Philine Lieder from Op. 98a.

Skovhus rose to the challenge of the Lieder und Gesänge aus Wilhelm Meister. For this he was joined by the soprano Suzanne Fischer, the winner of a Young Artist Platform award and already a mature and thoughtful performer.
Rebecca Franks, The Times



On the 23rd of April 2016 Suzanne sang the solo of Elsie Suddaby in Ralph Vaughan Williams’ SERENADE TO MUSIC, conducted by Vladimir Jurowski with the London Philharmonic Orchestra in the Royal Festival Hall as part of the Shakespeare400 Anniversary Gala Concert.

Suzanne was awarded fourth place in the ARD International Music Competition singing with the Munich Radio Symphony Orchestra. CLICK HERE for links to watch the videos of Suzanne’s performances. *****

Suzanne Fischer, Emalie Savoy, Sooyeon Lee and Marion Lebegue in the Final of ARD International Competition 2015
Suzanne Fischer, Emalie Savoy, Sooyeon Lee and Marion Lebegue in the Final of ARD International Competition 2015


THE KATHLEEN FERRIER AWARDS 2015 The Final @ Wigmore Hall, London 24 April 2015, info: picture by Robert Piwko /
The Final @ Wigmore Hall,On the 24th April, Suzanne was a in the at the Wigmore Hall in London.

On the 24th April, Suzanne was a Finalist in the Kathleen Ferrier Awards 2015 at the Wigmore Hall in London.

[Suzanne Fischer] began her programme with Constanze’s ‘Ach, ich liebte’ from Mozart’s Die Entführung aus dem Serail, in which a variety of vocal colours persuasively conveyed emotion, while Schubert’s ‘Suleika II’ saw both Fischer and her accompanist Nicholas Fletcher scale the virtuosic challenges impressively, demonstrating clarity of line and considerable dexterity respectively. Fischer was a suave and confident Musetta in ‘Quando m’en vo soletta’ from La bohème, her waltzing phrases blending coquettish charm and tenderness.

Review from Opera Today

Das Lied: International Song Competition 2015
Das Lied: International Song Competition 2015

In April 2015 Suzanne created the role of Katja in OBST HAINE IM OKTOBER in the Tischlerei of the Deutsche Oper, Berlin.

On Sunday 22nd February Suzanne won the Förderpreis for most promising young artist in the Das Lied: international song competition in Berlin, Germany.

Suzanne Fischer and Sebastian Weigle

On January 17th 2015 Suzanne sang arias as Juliette/ROMEO ET JULIETTE and Lauretta/GIANNI SCHICCHI with with conductor Sebastian Weigle (GMD Frankfurt Oper) in the Neujahrskonzert with the Junge Philharmonie Brandenburg.

On Saturday 25th October 2014, Suzanne was awarded the Pavarotti Award for young artists at the 65th Viotti International Competition in Vercelli, Italy.

Suzanne Fischer receiving Pavarotti Prize at Teatro Civico di Vercellii

Suzanne Fischer (Ginevra)In October 2014 Suzanne sang Ginevra in ARIODANTE for Tristan & Associates, continuing her collaboration with director Tristan Braun.

As a Britten-Pears Young Artist 2014 Suzanne sang the Countess in LE NOZZE DI FIGARO working with Ann Murray and Claudio Desderi and Mozart concert aria ‘Vado ma dove’ with Christian Zacharias conducting the Britten Pears Orchestra in Easter 2014. She also performed Lieder from Wolf’s ITALIENISCHES LIEDERBUCH and Mörike Lieder in masterclasses with Imogen Cooper and Wolfgang Holzmair.

In June 2014 Suzanne sang as a Guest Artist for the Deutsche Oper, Berlin, performing scenes of Konstanze/DIE ENTFÜHRUNG AUS DEM SERAIL in the Werkstatt. She reprised the role in July at the Hanns Eisler, where she is also sang scenes of Bellezza in Handel’s IL TRIONFO.